SCAGLIOLA

Faux bois refers to the artistic imitation of wood or wood grains in various media. The craft has roots in the Renaissance with trompe-l’œil. It was probably first crafted with concrete using an iron armature by garden craftsmen in France called “rocailleurs” using common iron materials: rods, barrel bands, and chicken wire.

Ferrocement faux bois uses a combination of concrete, mortar and grout applied to a steel frame or armature to sculpt lifelike representations of wooden objects. Final sculpting can be done while the mixture is wet, in a putty state, or slightly stiff. Techniques vary among artisans. Most popular in the late 19th century through the 1940s, ferrocement faux bois has largely disappeared with the passing of those most expert in its practice. What few objects remain from that peak period (mostly in the form of garden art, such as planters and birdbaths) are now highly prized by collectors.
In Mexico and Texas, this style is sometimes known as “el trabajo rústico” (the rustic work). It is often characterized by a more realistic look in both composition and coloring, as well as a more finely detailed finish than comparable European work.